27 November 2006

You'll be the mule, I'll be the plow, come harvest time we'll work it out....

There was a time, years ago, when you could watch VH1 and actually see videos of new artists you would never have had the chance to otherwise hear of. This is how I discovered Nanci Griffith. It was a video of her song "Its a Hard Life Wherever You Go" from her then new release, Storms, that caught my eyes and ears. What I saw on the screen was a beautiful, lithe woman singing of the harshness of the world and the bigotry that goes with it. From a cafeteria line in Chicago to the back seat of her taxi in Ireland, she viewed that what we teach our children shapes the future of the world. While this in of itself is/was not a new revelation, the song was catchy without being preachy, and I had to know more about her. I ran out, got that CD and found many other tunes that reached deep into my soul, inspired me as a song writer to work harder and look at the world around me just a little bit more closely. Another song from that CD is a tune called "If Wishes Were Changes"....'there'd be no goodbyes....I wish that you loved me the way that I love you, I wish I had angels that sang in my dreams...' It's hard not to pay attention to such desperate and longing lyrics. You'd have to be a completely numb person not to notice. She has a voice that maybe isn't for everyone, and her music walks that fine line between folk and country, though I would argue that it's predominantly folk, but she writes from a place of Texas-sized emptiness that few people are capable of writing from. But don't get me wrong, this is not music to slit your wrists by, because she veils her words in a cloak of catchy melodies and more pop-leaning production values, which can leave you guessing, if you aren't paying attention. The song above, "Trouble In The Fields" about her grandparents struggle in depression-era Texas, I discovered on a CD of live songs called One Fair Summer Evening (also out on DVD). It's a Cd of 'greatest hits' of sorts that I wrote about in a previous blog called "Dig through a record bin..." from October, if you are interested in reading more about it. Needless to say Ms. Griffith and all that she has done is a huge inspiration for the new demo I'm working on.

I went on a road trip last week with Abby. We went through Zion National Park, into Bryce Canyon, and down to the Grand Canyon in a 4 day stretch. We did a lot of hiking down into the canyons, and gazing at the wide open spaces. All this in an effort to see what we can while still living on this side of the world. While of course the Canyons were unspeakably beautiful and awe inspiring, it was the drive between them, and the drive home that also amazed me.

I live in a city that is far too crowded and has gotten even more so in recent years thanks to the City Council that is allowing the destruction of 2 and 3 family houses in favour of 32 unit condos and the like. So being out in the middle of Utah, and northern Arizona where there's more land and wildlife than humans was truly eye opening and a much needed reminder that life exists outside a city. The few houses, or rather dwellings we saw along our 1400 mile trek and the few 'towns' we passed though reminded me of what it must be like to actually need the people around you in order to survive. Unlike LA where people generally only 'need' people to 'get them' higher up the proverbial ladder, these places are vast, harsh and dry and you can't survive in a bubble. You can't tune them out because there aren't enough of you to go around; you don't get in your car to avoid people you get in your car to get near them and visit. I got the sense from those that I spoke to that you can't go it alone, and that where there were communities, a real sense of togetherness and an 'us against the elements' bond existed. It's kind of like being in Boston in a snowstorm, nothing is open but the local diner, there's 3 feet of snow on the ground, and all your neighbours are digging out their cars and helping one another to do it. We don't have that here in LA. We have sunny, warm days all year round except for the occasional rain 'storm' (such as we are having today as I write this), and thusly we have no reason to 'need' each other in order to survive the day. You can go it alone here and live a very comfortable life because there is nothing that brings strangers together, no reason to bond, no reason to reach out, no harsh weather to get through. It is very easy to just be numb. I think that is why so many love it here, and why so many don't. I get it. But I'm glad I was reminded of what it is to need a mule and a plow, and to work it out later.

Thanks for tuning in...Until next Monday.....CHEERS!!!!!

18 November 2006

I want to thank you for giving me the best day of my life....oh, just to be with you...

I first heard Dido's "Thank You" when I went to see the film Sliding Doors in the theatre in 1998. Not only is it one of my favourite films of the last 10 years, the soundtrack caught my ear immediately and I rushed out to buy it practically the next day. It probably is one of the best around and has set a tone for many films that followed. One of the things that makes it so great is that all the music used was relevant and appropriate - not incidental, and distracting so as to create a 'music video' feel in the middle of the film, something many Directors are guilty of doing these days. There is a fine line I realize and it's easy to be indulgent and to cross over into gratuitous song placement - something Director Peter Howitt is never guilty of. Also very cool is that he chose some lesser known Artists (Dido made her mark because of this film) to help tell the story; Space Monkey's, Peach Union, The Brand New Heavies and Abra Moore fill out the rest of the roster that includes Aimee Mann and Elton John. All together it's an amazing collection of diverse and energetic music that compels one to check out these newer artists (I eagerly searched for Dido's album which hadn't even been released in the U.S. at the time of the film) and revisit some old favourites. I urge you not only to see the film, if you haven't already, but to check this batch of tunes out.

As some of you know, the years 2000 and 2001 were the most difficult in my life. I lost my Mother, my Grandmother, my Grandfather, and a close friend of mine was brutally murdered. Since then my life, as can only happen when everything goes wrong, has vastly improved, though the pain of these losses is with me every day - especially felt during the Holiday Season. So I wanted to take this moment, as I get ready to go camping in Bryce Canyon Utah before Turkey Day (hence the early posting) to thank the people who have made a difference in my life during and since those difficult years - aside from my family who already know how awesome they are. These are the folks that are not blood family, but will always be special to me and close to my heart, each of whom inspired me in ways I can never express. While to perfect strangers who might be reading this these names will mean nothing to you, please know they mean everything to me and are the reason I am able to get up in the morning and 'carry on' if you will. In no particular order: My beloved Best Friend, Fritz; my beloved, Boo; my 'Dude' Phineas; Jodi; Joanna; my Bee-Atch, Courtney; Maria; My excellent friend & Co-Producer, Rebecca; My "I'm not your bleeding Aunt" Aunt; and My dearest Suz. There are more, but I think you all get the point. As you sit down thursday, enjoying a delectable feast, take a moment to be especially grateful for those in your life, because you never know when they might save it. I know am.

Happy Thanksgiving Everyone, be safe, be happy, and be good....

Thanks for tuning in...Until next Monday...CHEERS!!

13 November 2006

No matter what you make, all that you can take, it's what you give away...

I'm not a fan of Country music. This, despite many years living in/visiting the south, an ex in Boston who tried to get me to like it, and me having written one of my favourites, coincidentally a Country song, "Jackson Hole", earlier this year. But every once in awhile one really grabs me, inspires me and makes me wish I'd written it. Abby came over to watch The Country Music Awards on tuesday - it's her favourite awards show so I couldn't say no. After sleeping through much of it they announced Vince Gill featuring Sheryl Crow, and Amy Grant on one stage singing "What You Give Away". Less than a minute into it I was in love. The song struck me hard.

"You read the business page, see how you did today, life's just passing by....There's people on the street, aint got enough to eat, you just shake your head, the measure of a man is one who lends a hand, it's what my father said. After you've counted everything you've saved, you ever hit your knees and pray? You know there's going to be a judgement day, so what will you say? No matter what you make, all that you can take, it's what you give away..."

Released on his new album last month entitled These Days, it's part of a 4 disc set of original material featuring Sheryl Crow, Alison Krauss, Bonnie Raitt and too many others to mention. But I'm not here to talk about this cd (though you can check it out on itunes). The thing about this song, written by Al Anderson, is that there is something really uplifting and meaningful to it. It's also not what most people would think of as a Country tune per se, except that it's Vince Gill at the helm. It is in so many ways a perfect song; well written, well produced, with a choral buildup at the end that really pulls at your heart. You don't feel bad about yourself listening to this song because it's not preachy, it's simply reminding us of what is really important in the world. As we approach the Holiday Season, the New Year, and, hopefully, take stock in our lives, this song serves as a gentle reminder to look outside of our self importance. It isn't about how much money you earn, it's not about what you take from the world, it's what you give of yourself that matters. It's a life lesson we forget about as we sit in our cars on our way to our jobs and go to lunch, the bank, or buy ourselves a $220 sweater.

Thanks for tuning it...Until next Monday...CHEERS!!!

06 November 2006

Maybe it was to learn how to choose, maybe it was to learn how to loose....

A couple of weeks ago I wrote about Shawn Colvin's "Cover Girl" album and it got me thinking about another such recording. k.d. lang's 2004 release "Songs of The 49th Parallel" (Produced by Ben Mink and k.d. lang) reinvents and covets some famous and not-so-famous songs from other Canadian Artists - including this week's title track "Love Is Everything" by the amazing and underrated Jane Siberry. This first song on the CD is a sweet, pining tune that sets the tone for the whole album hinting as to where we will be taken over the course of our 47 minute visit up north.

As we meander our way through our trip you can't help but be struck by the oft - covered Leonard Cohen tune "Hallelujah". What makes this version different than the rest is not only the piano work that resonates throughout the whole CD - reminding me of a George Winston work of art - but there's a happiness to this version that's not apparent on either the Jeff Buckley or J.J. Cale versions. What Ms. lang shows us is a less pained side of the tune that gets illuminated by her heavenly voice and a string accompaniment that elevate her ever higher into the Canadian night sky. She also covers Joni Mitchell's "A Case Of You", a delicate tune, and one of her finest, that I think can really be soiled by lesser artists. No worries here though.....you can almost picture Ms. lang sitting at her feet while she records this as Joni nods in approval. Probably the finest cover on this CD blew me away the first time I heard it - the opening cello notes of Neil Young's "Helpless" grabbed me and never let go. Building from the cello, we are carried upward like a hymn and gently brought back down to those first haunting notes. It's a very cool version of a song you've heard 1000 times - but you've never heard it like this.

One of the greatest things about this CD is that it all fits together. There is a vibe, if you will, a feel to it that carries throughout each tune. You have travelled up north on a chilly November night, it's snowing outside and inside you are kept warm by a fire and this CD. It's almost as if someone took a cue from Gary Jules' cover of the Tears For Fears song "Mad World" and ran with it. Again, to say nothing of the piano, cello, and other fine musical work, it's Ms. lang's most amazing and talented voice that make these songs more than covers...they are recreated and given a life they never knew they had. I'll admit, I am not a huge fan of hers but this CD has given me a new perspective on her and Ben Mink.

If you've been paying attention to Entertainment news of late you may have noticed a sudden rash of guys coming out of the closet and professing their gayness practically turning the last few weeks into "National Gay Boy Coming Out Month". It started with some guy from a boy band declaring his undying love for some dude thusly putting to rest any rumours. Two weeks ago T.R. Knight, from "Grey's Anatomy", who was shamelessly outed by his coworker, that idiot Isaiah Washington, made it official - to put any rumours to rest. Then this past friday that guy from "Doogie Hauser" & "How I Met Your Mother" Neil Patrick Harris did the same - to put any unseemly rumours to rest. Must be the line of the month.

All I can say is: IT'S ABOUT TIME GUYS!!! Why aren't more of you coming out? Are Elton and George the only Gay Guys around? Why are Americans, when they think of Gay People, having to think of "Ellen and Portia", "Rosie and Kelli" and "Melissa and Tammy Faye"...or whatever her name is? WHY?!?!? C'mon - there must be more dudes out there hanging with other dudes - this is nearly 2007 - what's the problem? If Anne Heche can come out, then get married to a dude, and barely skip a beat (I love her show "Men In Trees" by the way) than obviously it doesn't ruin a career! Does Hollywood think that Americans are still so homophobic that guys feel that they can't be truthful and just be themselves? Why are people still wearing 'beards' in this day and age? I mean, really, who cares?!?! Enough of the fake marriages, enough with the rumours, just DO IT!! If nothing else than to shut people up, because maybe if more dudes came out, people would care less.

Thanks for tuning in.....Until next Monday...CHEERS!!!!

30 October 2006

My Mama and Daddy told me love was a 2 way street...

When one thinks of Mark Knopfler you most often think of his band Dire Straits and their brand of new wave rock that was propelled by his deep, solid voice and catchy lyrics (who can forget Sting singing 'I want my MTV'?). When you think of Emmylou Harris, if you think of her at all, which you should, by the way, you think of her country/folk sound and her lilting, yet strong presence. With 32 albums to her credit and countless collaborations with the likes of Linda Ronstadt, Dolly Parton and Roseanne Cash one wouldn't think that working with Mark Knopfler (who wrote 10 of the 12 tracks, "Belle Starr" from above having been written by Emmylou) and making the disc All The Roadrunning over the course of the last 7 years would work, but it does! This recording, despite their obvious musical differences and stylings may very well be one of the best of the year. If you have remotely paid attention to his previous work, you would have noticed his twangy guitar playing, putting the country into new wave rock, and Emmylou, well, she's about as good, as real and as true as it gets. When you put them together it does make sense after all. If you are looking for a CD that walks the line between rock, folk, and country and blends them all into one fine home cooked stew, than look no further and go buy this CD!

I had 4 interviews this past week for part time jobs, and needless to say not all of them were 'love on a 2 way street'. For the first time in my 9 year tenure in this town I came face to face with a species I had heard of but not yet witnessed in the wild streets of this town. It's know as "Speciealous Just Barely out of Collegeous" - they are "producers" who have caught a lucky break, are in a position of power but have never actually done anything on a real set, or ever even worked as PA's. It's a strange phenomenon, sitting in a room, being interviewed by 1 very intelligent creature and one very dumb one who had a big idea and suddenly got all this money to produce a show (what one was doing with the other I will never understand). When I inquired about what the "big idea" was the answer I got was so insidious that I wasn't sure if I wanted to take them over my knee and spank them, or send them to a corner for a time out. I'm soo glad I worked in that day care center years ago! But I digress...

Needless to say they were so inexperienced that they didn't know that what they were asking their 'assistant' to do was actually Associate Producer work, not "Assistant to a Producer" work. Something must have gotten confused in that little brain of the little 'producer'. Or lost in her big tits. Either way, I'm scared, scared that this is the future of television and scared that they are being handed all this money and don't know what the hell they are doing. Glad it's not my money!! What are people thinking? One idea does not make for experience, and a college degree from bump-butt state does not make a producer. I pity the crew that gets hired by this species and has to work far harder than necessary!!!

Thanks for tuning in.....Until next Monday............CHEERS!!!!!

23 October 2006

Do you believe in a lover or just the curve of the word?

I was pissing drunk the first time I met Shawn Colvin, or really waved, shouted hello and kept going because I was too embarrassed to meet her face to face in that state. It was a first date with my soon-to-be-boyfriend and I had been told by Shawn's friend and fellow singer/songwriter Christine Lavin to check her out. So we went to this show at the now defunct Speakeasy (it was next to Panchito's on Macdougal Street in NYC) had a little too much fun (it was an amazing show) and decided we'd go back to see her again a few weeks later. I still have the tape I soberly bought from Shawn which, when she got signed the next year, turned into her first CD "Steady On". Since then she has released 8 albums, including Cover Girl - one of my favourite collections of cover songs you'll ever hear (including "This Must Be The Place (Naive Melody)" a David Byrne tune that Shawn turns into the song of longing that one doesn't get from the original recording). But you shouldn't stop there because her lyrics demonstrate an emotional awareness that few songwriters are willing to expose. "I love you so much it's so bizarre" is one line that expresses a wonderment and simultaneous acceptance of the fear and feelings of love that we have all had at one time or another. I can easily say that her music became the soundtrack to my life in Boston and no doubt with her new release "These Four Walls" (her first non holiday or kids c.d. since she had her baby) I can see the same happening to my life here in LA. As I face an uncertain future and try to figure out my next move I take comfort in knowing there is a soul out there who is writing what I may sometimes be afraid to write; something Shawn is very good at - facing the truth inside of her and saying what we all want to say but sometimes push aside. "Would I be saved if I were brave and had a baby..." Damn that line gets me! It's hard not to quote every song that plays while I write this. By the way, if you live in LA she's playing at The House of Blues on Sunset Strip this thursday night. www.shawncolvin.com

I got a very sweet and poetic email over the weekend from my friend Jodi who lives in Brooklyn. We met out here at a coffee shop 6 years ago - I damn near stepped on her Rottweiler during my morning run. It turned out to be 3 weeks before my mother died and so it was a weird turning point in my life but she stayed my friend through it all. She was out here in the summer on '05 - staying with her brother, taking a leave of absence from her NYC life and trying to figure out what to do next and where to be. Her email spoke of a longing to be in two places at once; my patio at happy hour having a 'california' type beverage (cosmo or margarita) on a friday night with Abby and Rebecca, and her Brooklyn apartment with the chilly fall breeze blowing through it. It's a tough call and I know all too well how she feels.

I spent a week back home as many of you know and as usual when I got back to LA I spent the first few days in this lost haze of sleep deprivation and emotional turmoil. The turmoil that maybe is trying to work itself out through this blog. It's very hard to know what to do right now. I have no job, no income, and no clue as to what will happen or where I will be after the New Year settles in. I am very torn. There is much to be said for being in LA (rainy cool decembers, my awesome neighbourhood and of course cheap rent to note a few), and much to be had for being back east - four seasons, family, old friends, New England, to name a few. There is much to be had on either coast and I certainly don't know where my head should be. You'd think with all this time to think that I would have a better clue. But I don't. So I'll leave you with this verse from Shawn's "Round Of Blues" off of her second CD, Fat City: "Here we go again, another round of blues, several miles ago I set down my angel shoes, on a lost highway, for a better view....".

Thanks for tuning in....Until next Monday.....CHEERS!!!!

16 October 2006

"I want to run through the halls of my high school...

...I want to scream at the top of my lungs!!..." Unless you've been living in a cave or only listening to talk radio the last few years you've heard this song, "No Such Thing" from the album Room For Squares. It's about a guy who has very mixed feelings about where he grew up and what it was all about. That guy is John Mayer. He's a very talented blues-influenced singer/songwriter who made his way around the scene as a teenager in Connecticut only a stone wall's throw from where I grew up. With 5 disks out over the last 7 years there is a wide range of material to choose from and with each album he tries something new. While he maintains his basic form, the music he writes for each new album is more aware and a little deeper than the previous one. Here is a guy who wants to grow up, age with us, and is very happy to do it.

I had been on the fence about going to my High School reunion because of the timing with my trip to Alaska and flying out here only left me a week or so in between. I thought, why go? I'm not sure I care about these people any more than they care about me. I was reminded by my 2 friends I'm in touch with that I had said I would go, and when push came to shove I feared being an LA Flake, so I caved. I'm so glad I did. While I could have done without the hangover I got because of the all the reconnecting friday night at Gates, the local watering hole, I have never been hugged by so many people in such a short time. I'm still somewhat amazed that I cared and still care so much for these people. It wasn't an "easy" place to grow up in some ways. Old money town, Stepford Wives, and the Preppy Handbook made for a very trippy childhood coctail. I'm not complaining, there are far worse places to grow up, and we all know that. Or we do now. Even at the after party, which went past our 3.30a departure, there was more talking, drinking and reconnecting which further reminded me how far we've all come, gone and yet still stayed the same. This idea was confirmed by the 2.30a game of quarters on the kitchen divider. I could swear I'd been there before.

One of the things that struck me was that after growing up an a town where many follow in their parents corporate footsteps, and family businesses (or live off their inheritances) many of us were brave enough not to. Dana, I'd known her since 3rd grade, gave up her corporate life a few years ago and now owns a restaurant in Jersey; Nicole works in Mental Health at Bellevue - something I never figured her to be doing; Bobbie owns a rafting company in New Mexico; Andrea, like myself, is now a singer/songwriter. My old theatre friend (and quite the good actress) Lauren turned into a financial advisor for WGBH in Boston. Another head turner. There were many happy moments of 'who'd a thunk it' as people caught up while their kids played at their feet at the beautiful fall picnic on Saturday.

I couldn't be more proud of the choices we all made, and the openness with which we faced this weekend. It wasn't easy after growing up in that environment to come back and talk about where we've been and where we're going. Heck, some still don't know, but none were judged for it. The sense I got was that once we took those first steps into Gates or we walked into the picnic a warmth and safety of having known these people for many years took over, the High School insecurities slipped away, and as Dana so aptly put it - no one cares about those stupid things, they are just happy to see you. Thanks to you all for the skateboarding when we were kids, the parties in High School, and for a really cool, fun and rewarding reunion weekend! Yep, I'm so glad I went!

Thanks for tuning in....Until next Monday...CHEERS!!!!

PS. As I wrote this I have discoverd that it is John Mayer's birthday...kind of cool huh?

08 October 2006

Dig through a record bin, and find a record for .69 cents that you've always wanted all your life.....

I think Nanci Griffith says it best when, in the opening 2.24 minute long intro to her "Love At The Five And Dime" on her live recording One Fair Summer Evening she captures the essence of childhood innocence, longing, and a simplicity to life that we are all - too- fast loosing. This recording, released in 1988 on MCA, is by far one of my all-time favourite albums, records, CD's, however you call them. While I'm not certain she meant it to be a 'greatest hits' of her early career, it certainly, in retrospect, turned out that way. She indeed sings the songs that are the best of her first 7 albums. From the heartbreaking "More Than a Whisper" to her tale of depression-era life in the Texan dust bowl "Trouble In The Fields" the material she chose speaks in many languages to anyone who has a listen.

The thing I like about this disc is how she took the songs and broke them down into their most basic form. James Hooker plays his electric piano/synthesiser while Ms. Griffith plays her guitar as if she was buttering warm, fresh from the oven bread with soft butter. Minimal backing vocals provided by Denise Franke and Doug Hudson allow the songs to float and not feel weighty or over-produced. What came before that night at Anderson Fair in Austin was more country than what you find on this, one of the finest CD's ever produced. My only regret is that it is missing it's best song, a hidden treasure found only on the DVD, "There's A Light Beyond These Woods (Mary Margaret)". Hearing Ms. Griffith and Ms. Franke sing this song about lost childhood innocence and adulthood as if their hearts were holding one another up is truly a moment to be cherished. Whether you are a fan of hers or not, one can't help but like this CD.

If you were paying attention to the news on saturday it is possible you heard the awful truth. Tower Records, after 46 years in business is closing down. Owing over $200 million to creditors the business was sold to some rather large company that is liquidating assets and selling properties. Tower blames their troubles on digital downloading (why hold a CD in your hand after looking all over a store for it when you can download it in seconds for half the price?), Wal-Mart and their disgusting business practices (my words not theirs) and an overall industry-wide decline in music sales. No matter who you blame (the consumer or the Executives) it is the end of an era. As we Americans loose ourselves in technology (meanwhile getting fatter and lazier as we sit at our computers all day), we are clearly in danger of loosing our history and moving into an era that is cold and emotionally distant. I will never forget going to The Gramaphone Shop as a kid, digging through the bin and finding that Kate Bush CD that had just come out in digital format. I will also never forget being old enough to go into the City, walk down Broadway and wander into, and loose myself in, the aisles of Tower Records. Call it progress or call it Big Business gone bad, call it whatever you want but as we say goodbye to record bins say good bye to your dusty hands finding that record you've always wanted, say goodbye to some good time lost in the aisles of your local record store and say goodbye to the hours spent looking at cover art and reading the liner notes as your new - found favourite music plays in the background. This week I bid a sad farewell to not only Tower Records but CBGB's who will be closing their doors next sunday after loosing their own battle with Big Business. Thank you both for the memories!

Thanks for tuning in....Until next Monday!......CHEERS!!!

02 October 2006

"I think I'll build a boat for me and sail myself across the sea.....

.......coffee likes to chase the booze, booze it likes to chase the blues..." If you aren't listening to singer/songwriter Jackie Greene you should be. This California native has a depth and soul to his music that belies his 24 years on this planet. His slightly twangy voice, and his simple sounding guitar playing make his music easily accessible and pulls you in quickly. His first album "Sweet Somewhere Bound" is aptly titled and addresses longing, travel, and has a bluesy hint of southern comfort and a dusty, squeaky floored bar on a hot summer night. It's almost like you just walked in, ordered yourself a beer and he's on stage singing to you, and only you this crowded, happy place. His second album, "American Myth" has more of a rock feel than his first release but he maintains his soulful feel and presence. This guy has some good shi* going on!! I hope you check him out! www.myspace.com/jackiegreene

So while I did not build myself a boat for me I did sail across a sea to Alaska over the last 2 weeks (for more details visit Monday's in LA - link to the right). We started the trip with a drive inland up to Seattle through Yosemite, Lake Tahoe, Crater Lake, and Portland. On the way back we drove down the coast through Washington, Oregon and much of California stopping in one of my favourite places, Mendocino. There was sensory overload of the beautiful kind, lots of picture taking and lots of time to think. I'm in a weird place right now as I contemplate my future. The major trip we had been planning for months, and is much of the reason I didn't walk away from LA after loosing my job has come and gone and I am left wondering 'what next?'.

I have diligently looked for a job for most of this year and have come up empty. In addition, I have reached out to 'contacts' who claimed they would help only to have my emails unanswered and obviously ignored. Needless to say I am frustrated, concerned about what will have to happen when unemployment runs out and disappointed in the people who offered their help. But that's LA for you I guess and maybe I should know better by now. She's the married mistress - around, yet shockingly unavailable. Just like many a songwriter in this town, I have written about her, pined for her, and come up empty. Perhaps I'm becoming a cliche. You know - all that stuff you hear about LA before you move here but you do it anyway thinking it won't be you. Then after years of banging your head against a wall and finding a dent here and there, you keep going. You keep hoping.

So here's the rub, as I approached the unknown, happy to stay or go, I approached my musician friend, Rebecca, to help me with a home-grown demo to be made here in my living room. It's turning into more of a production than I initially envisioned, happily so, and now with this time off, which perhaps is meant to be, I am embarking on a new project. Who knows what will come of it, but I do know that if a day job doesn't come along soon, my credit card will get very full, a truck will be in front of my building and this blog will have to be renamed "life in......."

Thanks for tuning in...Until next monday.....CHEERS!!

11 September 2006

And they thank the lord for the land that they live in....

I was there. I wasn't supposed to be but my Grandmother was dying in a hospital in the upper east side. I had changed my flight so as not to leave that morning. I was alone. The last thing I needed with everything that had been happening was to be alone. Thank god for my friend Courtney. She knew what had been going on and why I was still in NY. When she could she would try the phone and became my lifeline that day. Finally around 2p she knocked on the door. Fritz got home at 4p. We all hugged, grateful for each other and for the world not having ended until we were all together. We had no idea what was going to happen, if there would be a systematic decimation of our city or if the worst was over. So we bought beer. I was in a bit of an overloaded state and begged them to go to the park to play football. If you know me - it makes sense. I'm in perpetual motion, even when I'm tired, and I've always dealt with stress by being physical. As the smoke rose over our city and the jet fighters did their thing, the 3 of us did our best to keep sane.

To this day the sound of a low flying plane freaks me out a little, I have dreams I don't wish to repeat, and I knew people who were in those towers. Thankfully, no one close to me. While this might sound weird, I am glad I was there. With the city I love, had grown up around and lived in, and the people who make it what it is. In the following weeks I saw NYC as I'd never seen before. Everyone came together. Everyone was glad to be alive. And yes, as Nanci Griffith said above, maybe we ALL thanked the lord for the land that we live in. I may not like where it's headed and all that has been lost in the last 5 years, but I am thankful to be here.

Thanks for tuning in.....Until 'next' monday.............CHEERS!!