A music and life review blog about the world at large as seen from the eyes of a former Los Angelino now currently living in her beloved New England and trying to make sense of it all...
Because Joan Osborne is a goddess and can do no wrong I wanted to share her cover of Jump LIttle Children's "Cathedrals" from 1999 (reviewed here in an earlier post of mine from 27 Jan '08 entitled "In the Cathedrals of New York and Rome..." http://lifeinlaland.blogspot.com/2008/01/in-cathedrals-of-new-york-and-rome.html). This is from her latest release "Little Wild One". I look forward to picking it up and will review it at a later date....though what I've heard of it so far I love already. I first heard her do this song at a show here in Los Angeles that my dear friend Jodi, Abby and I went to two years ago. Joan was amazing and this song brought tears to my eyes...I found out this weekend that I wasn't the only one so moved by her performance. Yeah - she's a goddess of massive proportions and clearly I'm not the only one who feels this way. Nice not to feel so alone sometimes when amidst the shadows of tall buildings.
Thanks for tuning in...Until next time....CHEERS!!
I'm finding it hard to write these days but I felt it was time to at least say something. Though I'm not sure something is better than nothing I wanted to let you all know I haven't dumped this blog all together - I've just been uninspired since my best friend kitty passed away in July. I'm still deeply saddened by his loss and have been left somewhat speechless as it were. I thought perhaps that if I start to write something the words would flow so this is all stream of consciousness writing and really has no point.
Today's title is from Dar Williams' new CD called Promised Land, she's an old neighbour of mine, a very sweet person who has done well for herself and she's certainly not lacking in talent. She's more than alright, that's for sure. I hope you check her out. http://folkmusic.about.com/od/darwilliams/a/DarWilliamsQA.htm
Anyway....life has moved forward - the summer is at an end. I celebrated my birthday in The Sequoias last weekend and wanted to share some pictures from the trip.
Thanks for tuning in...until next time (and there will be one)...CHEERS!!!
Home is where I want to be Pick me up and turn me ‘round I feel numb - burn with a weak heart (so I) guess I must be having fun The less we say about it the better Make it up as we go along Feet on the ground Head in the sky It's ok I know nothing's wrong . . nothing
Hi you I got plenty of time Hi you you got light in your eyes And you're standing here beside me I love the passing of time Never for money Always for love Cover up and say goodnight . . . say goodnight
Home - is where I want to be But I guess I’m already there I come home - she lifted up her wings Guess that this must be the place I can't tell one from another Did I find you, or you find me? There was a time before we were born If someone asks, this where I’ll be . . . where I’ll be
Hi you we drift in and out Hi you sing into my mouth Out of all those kinds of people You got a face with a view I'm just an animal looking for a home Share the same space for a minute or two And you love me till my heart stops Love me till I’m dead Eyes that light up, eyes look through you Cover up the blank spots Hit me on the head ah ooh
(courtesy of lyricsfreak.com)
Whether you prefer the original, fast paced Talking Heads version of “This Must Be The Place” (from Speaking In Tongues) or Shawn Colvin’s more mellow, thoughtful take (from Cover Girl and one that she has performed solo/live as well) there is no arguing that this is one of the best tunes of the last too many years. While each version is vastly different the sentiment and the words remain the same – pain, longing, universal heartache and a desire to find that place where we feel whole and loved. It was not something I really expected to hear from David Byrne – but veiled in a fast beat and thin electric guitars it’s easy to miss the sentimental meaning. That’s where Shawn Colvin comes in. Her take on the song (I first heard her perform it at the late great Bottom Line in the early ‘90’s) illustrates the softer side of the lyrics and the more emotional breadth of the melody.
One of the things I find most interesting about music is how production values can change a song. “This Must Be The Place” is a perfect example of this. One the one hand you have a new wave dance song on another you have a sweet folk song. Both are relevant and both can speak to the ever changing moods of a person. Maybe, in fact, they speak to different sides of the brain. The more measured dance version I liken to a left brain experience – and the folky one – a more right brain emotional purging of sorts. These are the kinds of complexity’s that make me enjoy producing music. Most songs start off the same way – a guitar or piano being banged on with words waiting to pour out onto a page. You play around and play around and try to figure out the ‘voice’ of the song when it’s done. Is it fast? Slow? Middle of the road finger picking deal? Or is it straight out strumming with certain purpose? You go through all of this only to maybe change your mind when it comes to getting into the studio. Suddenly someone else hears the song a different way and wants to take it in a new direction. Choices, decisions, days later and you have Talking Heads or Shawn Colvin. I think it’s one of the coolest things about making music, you can take it anywhere, land anywhere and start again.
Do yourself a favour and listen to these two versions back to back – your eyes will open – your ears will get a jolt and you’ll be glad you did. Look for them on itunes! In case you’re wondering my favourite lyrics from the song are: “I can't tell one from another, Did I find you, or you find me?” They get me every time! ENJOY!
As I’m sure you can guess I’m feeling a little homesick right now. This is the first time since my niece Cate was born in 2003 that I haven’t been home in June. It feels weird and I honestly wonder with flights getting so expensive when I’ll get home again. Will it be me pulling up in the driveway loaded up with my crap after a cross country drive? Or will it be me landing at a local airport and hopping into my best friend’s car? It’s so hard to know and in some ways it really bums me out. As I’ve come to really enjoy living in my very cool neighbourhood in Los Angeles, the time away from my loved ones is getting harder to take. I know, I know, if I really want to go I’ll find a way…but it’s not always so easy when your main source of income is based in one of two cities and you have another person to consider. One of the things that makes L.A. so great is the presence of Abby and a few others. But is it enough? Right now it is and who knows what job lies ahead that may keep me here. As icky as it might sound – sometimes you have to stay where the money is until such time you free yourself from the financial ties that bind. It’s one of the hard things about life without a trust fund – money buys freedom and ou can never have enough of that.
For now I’ll gaze longingly at my pictures from my last trip home – miss the people in those pictures and hope that soon “you're standing here beside me, I love the passing of time, Never for money, Always for love, Cover up and say goodnight . . . say goodnight……..”
Thanks for tuning in….until next time….CHEERS!!! and have a safe 4th of July!
I was torn this morning on whether to write about Jill Sobule and her awesome tunes from the 2004 film “Mind The Gap” (in which she also starred) by writer/producer/director and very talented guy Eric Schaeffer, or to write about Aimee Mann’s latest, @#%&*! Smilers. It was a tough call since I was feeling haunted by the film that Abby and I watched Saturday on a rare night off in the last two weeks, but yet wanting to write about a newer release. Hmmm….two amazing songwriters….two sets of songs that are no doubt worth every moment spent listening to, one tired mind, and one blog.
So after a quick shower to wash away yesterdays near 12 hour day that included a co-worker who opted to be the first to criticize and boss people around yet the last to actually DO their job (a pattern I’ve noticed with this person) I opted to pop in Aimee Mann just a little bit ago and am having my first listen. Sometimes I prefer doing this so that I may write about my first impressions as opposed to something I may have over-listened to. In the interest of full disclosure I think Aimee Mann is a goddess. I’ve even had the pleasure of meeting her - she was so very nice and so humble despite her ginourmous talent that I felt like I was talking to a human being and not someone who was so caught up in who they were that you felt as if you were speaking to an empty shell. She’s the real deal. So right off the bat you know this will not be a negative review – no matter how hard I try I can’t find anything wrong with her. She could clap off beat and I’d still think she were the best thing to come around since the ipod.
OK – I’m on song 11 of 16 (if you download from itunes) – “Little Tornado” – so sweet - so simple I had to rewind:
Little tornado Bane of the trailer park Lifting houses to leave your mark
Little tornado Noah can build his ark But he will never disembark
Make it go faster Baby go faster Make it go twice the speed of you and me
Little tornado You and the hurricane Close your eyes and go campaign
Make it go faster Baby go faster Make it go twice the speed of you and me
Oh, no, no we don't No we don't know
Little tornado blew out the window pane Left the inside to the rain
(courtesy of metrolyrics.com)
Aside from the more bare bones production this song has this western feel to it – not country – but a guitar, a bass drum and some whistling. You could be on the plains of Nebraska next to a fire with a horse and a cowboy and you get what this song sounds like. Urgency with delicacy. Simplicity with meaning.
Now that I’m on “True Believer”, song 12 of the CD, which starts off with a bang with today’s title “Freeway”, it seems to get sweeter and sweeter as it progresses. Yeah – this is the best of Aimee Mann. Insightful, deep, and with a voice that hasn’t changed since her ‘Til Tuesday days whence time she sang about being a bi-sexual woman in a relationship with a man who was embarrassed by that fact (“Voices Carry” in case you weren’t paying attention from 1985) and of course who could forget “J for Jules” one of my all time favourites (said to be inspired by then boyfriend Jules Shear – also a talented songwriter). Who would have thought back then that this punk-ish new wave girl from Virginia (she went to Berklee in Boston where she met her ‘Til Tuesday band mates) would still be not only making music - but making GREAT music all these years later. Seriously. It doesn’t get much better than her and this CD is a tribute to her talent, her independence as songwriter and lyricist and her staying power. There isn’t a song on this CD that I wouldn’t want to hear again and again. OK - enough gushing….just check it out at: www.myspace.com/aimeemann
Yeah – I’m fried. Really. Two weeks – one broken toe - one day off and the aforementioned co-worker and their many foibles not the least of which is an undeserving ego – and you can understand where my head is right now: relieved to have what I hope to be only a few days off. I love my work and I love the people I just worked for and sometimes that’s the stuff that makes it all worth while. When you can like your bosses, want to work hard for them and respect them it can make all the difference in the world to help wash away the normal and expected headaches that come from human beings interacting under stress. Despite being tired and a little sluggish today I had a good time these last couple of weeks and I was really glad to be where I was. Now I’m glad to be home and while I can’t afford to drive the freeway right now – I can enjoy my life and the gifts that go with being surrounded by good people.
Thanks for tuning in…Until next time…..go rent “Mind The Gap” and CHEERS!!!
As you all know every once in awhile I’ll talk not about a whole CD but a song that is somehow stuck in my brain or otherwise possessing me – today it’s Hawaiian native John Cruz’ “Missing You”. Not only is the song infectious, but it’s simple and sweet like fresh pineapple from a roadside stand on Kamehameha Highway on the island of Oahu. The delicate guitar playing and his pained voice combine to make a truly touching song about loss and longing. Sure, nothing new – but the way this guy presents it is somehow more real and direct than the average tune about love and heartbreak. The scaled down production with few added instruments save for an accordion and minimalist backing vocals added to the way he uses the language as if he were talking to you and not singing a song make it a more personal endeavor and thusly easier to get inside his head. We’ve all been alone in a movie theatre aching for the one we just lost but not all of us write a song like this. It’s mellow like an island breeze, yet catchy like a gust of wind on your sails as you come about in your skiff.
“Lying all alone late at night in my bed was all full of feelings had pictures of you in my head, I was thinking about the springtime you and me on the beach my heart was open I held out my hand but you didn’t even reach. All dressed up nowhere to go I go to the movies theatre is so cold, I sit there by myself sipping a coke movie stars are making love and my heart is broken say I been Missing You…last time I saw you I was so confused, things that I thought had I found out I could loose but I don’t want to be demanding, babe, I wouldn’t do that to you, I walked away from outside your window watching you ‘til quarter past 2….”
Seriously – check this guy out – you might think that Jack Johnson has a lock on that mellow surfer music but John Cruz takes it up a notch and has more of that island feel with a modern bent. Less Don Ho – more Patty Griffin. www.myspace.com/johncruzmusic
Allright – so why all the Hawaii references? It’s because Abby and I went to Oahu over Memorial Day weekend. She found a great deal with a cheap flight, the flea baggiest of flea bag motels, and we upgraded to a Wrangler at 2am when we finally arrived. I say finally because after 6 flights on American Airlines from 5 May until 23 May – all of which were delayed I will never fly them again – not if I plan on maintaining any kind of schedule where I’m headed or hoping that the restaurant will still be serving when we finally arrive. Yeah – lame! But at least we got there!
As expected the weekend was amazing! We hiked a 6 mile trail to a waterfall, swam every chance we got and drove on some roads we missed the last time we were there. We even got to stand in the rain and watch the clouds roll on over. It was three days of seafood, cheap coffee and 400 miles on the road including a stopover where we were privileged enough to watch a mother and a baby sea turtle frolicking in the surf. One of the best moments on any road trip is when a great song comes on the radio and everyone in the car or well – both of us in this case – just jam and scream our lungs out. That happened after we ate our 2nd plate in 2 days of shrimp (fair warning: they don’t clean them over there so be prepared to work for your meal – worth it because it’s probably the best shrimp you’ll eat anywhere) as we headed down the road – windows off the jeep – wind in our hair and salt water burning our skin – one of those all time great songs came on the radio and the afternoon was made. The other moment was again when we were in the car and Abby really heard “Missing You” for the first time. Sure I’d played it for her but somehow when you’re in a jeep in a tropical place with mountains and the ocean in the air and the road is out in front of you it just clicks. I’m guessing she’ll never forget it now. Nor will we forget our awesome Hawaiian weekend though next time I think we’ll head back to The Hyatt. Here are some pictures since they can say so more than words. And oh yeah, Hawaii, I'm missing you....
SO - IT WAS A BRUTALLY HOT WEEKEND HERE IN LOS ANGELES...WHEN I WASN'T WORKING ABBY AND I WERE SITTING ON THE COUCH WATCHING MOVIES, READING AND LISTENING TO MUSIC. THE MUSIC OF CHOICE WAS THE "INTO THE WILD'' SOUNDTRACK....I THOUGHT SINCE I CAN'T THINK OF ANYTHING ELSE TO WRITE ABOUT I WOULD REPRINT ONE OF MY FAVOURITE BLOGS ABOUT THE MOVIE/SOUNDTRACK AND LET YOU ALL KNOW THAT I'M GOING TO BE TRAVELLING NEXT WEEK AND WILL THUSLY TAKE SOME TIME AWAY FROM THIS BLOG. NO WORRIES, I'LL BE BACK IN A COUPLE OF WEEKS.
THANKS FOR TUNING IN AND FEEL FREE TO TAKE THIS TIME TO CATCH UP....ENJOY!!!!
If ever there were a perfect symbiotic relationship between a film and a soundtrack it would be, hands down, Into The Wild. The story of an overly intelligent, idealistic and adventurous soul, the film, based on Jon Krakauer’s book of the same title retells the true story of a recent college graduate, Chris “Alex” McCandless, who leaves his cushy, privileged life behind to travel the country with the intent of conquering the Alaskan Wilderness. As we follow “Alex” (the name he takes to free himself of his WASPY upbringing and to avoid being located by his family) we are led on a journey of self discovery both within Alex and those he touches along the way of his two year sojourn. No one he comes in contact with is left unmoved; no one escapes his hypnotizing view on the material world.
So it is when the film begins and the voice of Eddie Vedder starts to ring out. While “Hard Sun” is written by Gordon Peterson, the rest of the songs, including “Rise” and “Far Behind”, other prominent songs we hear throughout, are penned by Vedder himself. As we follow Alex we hear Vedder somehow saying all that Alex is unable to say. The music becomes another character, or really, another facet of Alex.
HARD SUN
When I walk beside her I am the better man when i look to leave her I always stagger back again
Once I built an ivory tower so I could worship from above when I climb down to be set free she took me in again
CHORUS There’s a big a big hard sun beating on the big people in the big hard world
When she comes to greet me she is mercy at my feet I see her inner charm she just throws it back at me
Once I dug an early grave to find a better land she just smiled and laughed at me and took her rules back again
CHORUS
Once I stood to lose her and I saw what i had done bowed down and threw away the hours of her garden and her sun
So I tried to want her I turned to see her weep 40 days and 40 nights and its still coming down on me
CHORUS [Hard Sun lyrics on http://www.metrolyrics.com]
There is a subtle pain one witnesses when watching/listening to this film. A young man struggling to find his voice thrusts himself into any adventure that comes his way and embraces the world at his feet. Initially penniless (he gave the remainder of his $24,000 college fund to Oxfam) he grabs any job he can to get him to his next destination – sometimes unknown, sometimes haphazardly, but ultimately as the miles and months move along he knows Alaska is where he will find his final truth. That is where he believes the rest of the answers lie – in the solitude and the quiet of The Great Wilderness; only then can the answers within him be fully realized.
It is hard to imagine this film without the sometimes thundering music and insight that Eddie Vedder provides. Having read the book in 1996 when it came out I wonder if he did the same in order to really understand Alex’s heart, soul and desires for the world. Somehow Vedder really ‘gets’ him – really taps ‘into the wild’ that was in Alex. Perhaps we can all understand his need to question, be free and to take those brave steps to leave it all behind, but few of us actually go. His misanthropic leanings, as well as his inexperience (and some might say, stupidity) are ultimately his downfall. Simultaneously the one thing he was escaping most in the end turns out to be what he craves the most. There is a cruel and heartbreaking irony to this fact – something that we hear and feel as we take this journey with Alex, Eddie and Sean Penn the writer/director of the film.
FAR BEHIND
Take Leave the conscious mind Found myself to be so inclined
Why sleep in discontent? Oh the price of companionship
My shadow runs with me underneath the Big Wide Sun My shadow comes with me as we leave it all we leave it all Far Behind
Empty pockets will Allow a greater Sense of wealth Why contain yourself Like any other Book on the shelf
My shadow lays with me underneath the Big Wide Sun My shadow stays with me as we leave it all we leave it all Far Behind
Subtle voices in the wind, Hear the truth they're telling A world begins where the road ends Watch me leave it all behind
Far Behind
Far Behind
[Far Behind lyrics on http://www.metrolyrics.com]
THE LONG ROAD
Will I walk the long road? I cannot say There's no need to say goodbye Oh, the pressure's building All the memories going round Round, round, round... I have wished for so long... Now I wish for you again And the wind keeps blowin' And the sky keeps turning grey And the sun is set The sun won't never rise again I have wished for so long ... Now I wish for you again I have wished for so long... Now I wish for you today Will I walk the long road? (3x)
[The Long Road lyrics on http://www.metrolyrics.com]
I can’t say enough how amazing, powerful and haunting this film was. Thankfully it had been so many years since reading the book that much of it felt new whilst I was taken on the long rivers journey that is this piece of work – both musically and visually. Not only did Eddie Vedder capture Alex – it would not have been so without Jon Krakauer and Sean Penn and their deep love and compassion for the man that was Chris, the man that was Alex, and all the conflict and understanding that made him who he was and made his story so compelling. Stupid or not – he was braver than most of us could ever hope to be.
Do yourself a favour - don’t wait for the DVD – see this on a HUGE screen – you will be glad did.
According to Webster’s Dictionary the definition of Freedom Of Speech is the following: Noun 1. Guaranteed by the 1st amendment to the US constitution. 2. ….is the right to freely state one's opinions and ideas.
Basically, Freedom Of Speech is all well and good as long as you don’t do it in a public forum. Such is the thrust behind the documentary “Shut Up & Sing” about the controversy and fallout of the Dixie Chicks’ 2003 statement at a sold out show at London’s Shepard’s Bush Empire that they were embarrassed that President Bush was from Texas. When you watch the footage of this fateful moment – which would unknowingly become a catalyst that would upend their lives both professionally and personally – it’s apparent that it was very simple between song banter – Natalie Maines was laughing and making light of what would later become a very embarrassing moment in U.S. history. She was expressing what most were fearful of saying but many were thinking. Somehow the press got wind of this statement – blew it out of proportion – fanned the flames and crucified her for having an opinion as did the many minions of die hard country music fans.
As the film unfolds in non –linear story telling you simultaneously witness the very public and private heartbreaking repercussions of the off the cuff statement and the healing that goes along with such an extraordinary moment. At the time this was going on I would not have called myself a fan of their music – sure I liked a song here and there but only started to really pay attention when this shit hit the fan. I very vocally applauded Ms. Maines’ courage and strength to speak out against the impending doom of War and misguided decisions - but until watching this film I had no idea just how amazing these three women really are. As the band rolls with the tide and tries to adjust to the rising swell of ‘Dixie Twit’ sentiment you witness a strengthening and unity among these artists that later informs their writing and their choices to keep moving forward. While it is clearly not an easy path that has been put in front of them never is there a mention of giving up and disbanding. In fact, it’s quite the opposite which therein proves further the point that the strength was there all along. Martie Maguire and Emily Robison steadfastly stand behind their band mate and support Natalie’s rock hard will to carry on and not take back the words that put their careers, and in one instance, their lives in peril. When, towards the end of the film Martie, in tears, discusses how she wouldn’t change a thing and would give it all up if Natalie would just realize that the journey they are on is worth every moment and is more precious than their careers as an entity, you can’t help but cry along with her as you realize that sometimes the journey we don’t plan can be the one that is the most fulfilling.
One of the more interesting sides to this film is that I found myself having some compassion for the radio stations that were pressured by their fans and their corporate owners into discontinuing playing the Chicks music. You could see that a few of the Dj’s they interviewed simply had their hands tied and had to answer to the small minded listeners that were in effect paying the bills. But, I did find myself being angered by the blatant disregard for the very right we were all born into and the corporate blandness that has overtaken radio. Not that this ‘we won’t play your music’ thing is anything new – it did, after all, happen to The Beatles when John Lennon mentioned something about them being ‘bigger than Jesus’. But still, some part of me had hoped that minds had gotten bigger since the 60’s not smaller. But perhaps this is more a statement of where this country is today thanks to our current and soon to be former President – not where we’ve been and seem to be returning. Of course, interestingly enough, many of the people who protested outside their concerts and stomped on their CD’s are, I’m guessing, having a change of heart as The President’s approval rating for this War falls lower and lower. Hmmm…..
One of the cool things about this film is that you get an insider’s look into not only the backstage lives of these three women and their traveling families but you get to witness their recording process and simultaneous renewal as they get back into the studio to record last year’s release Taking The Long Way. I don’t think you need to be a musician to appreciate their style of recording live and just how incredibly talented these women and those around them are. These Chicks can not only sing they can play the hell out of their many instruments - they are the real deal – they are more than an image and a ‘product’ they are very talented women in every aspect of musicianship.
As we go back and forth between 2003 and 2006 you see emerging these artists who’s greatest gift is not only that they kept moving forward and maintained their position that Natalie had every right to say what she said but they channeled their ups and downs into and exceptional and strength inspiring CD. Every lyric (co- written by Dan Wilson and the Chicks) is a testament to faith, strong will, survival, inner peace, and the need to stand up for what we believe in with no regrets and no apologies.
From “Not Ready To Make Nice”:
“I’m not ready to make nice I’m not ready to back down I’m still mad as hell and I don’t have time to go round and round and round It’s too late to make it right I probably wouldn’t if I could ‘Cause I’m mad as hell Can’t bring myself to do what it is you think I should
I know you said Can’t you just get over it It turned my whole world around And I kind of like it
I made my bed and I sleep like a baby With no regrets and I don’t mind sayin’ It’s a sad sad story when a mother will teach her Daughter that she ought to hate a perfect stranger And how in the world can the words that I said Send somebody so over the edge That they’d write me a letter Sayin’ that I better shut up and sing Or my life will be over….”
At the end of the film when the girls go back to Shepards Bush in 2006 to perform again amongst rousing cheers and yet another sold out show one gets the feeling of life coming full circle, life moving on and, again, the strength it takes to do so. When at some point Natalie Maines repeats that famous statement you realize you are witnessing the underdog winning and Freedom Of Speech fearlessly prevailing. I was brought to tears and deeply moved when they performed my favourite song, “Easy Silence” which in many ways sums it all up.
“When the calls and conversations Accidents and accusations Messages and misperceptions Paralyze my mind
Busses, cars, and airplanes leaving Burning fumes of gasoline And everyone is running And I come to find a refuge in the
Easy silence that you make for me It's okay when there's nothing more to say to me And the peaceful quiet you create for me And the way you keep the world at bay for me The way you keep the world at bay
Monkeys on the barricades Are warning us to back away They form commissions trying to find The next one they can crucify
And anger plays on every station Answers only make more questions I need something to believe in Breathe in sanctuary in the
Easy silence that you make for me It's okay when there's nothing more to say to me And the peaceful quiet you create for me And the way you keep the world at bay for me The way you keep the world at bay
Children lose their youth too soon Watching war made us immune And I've got all the world to lose But I just want to hold on to the
Easy silence that you make for me It's okay when there's nothing more to say to me And the peaceful quiet you create for me And the way you keep the world at bay for me
The easy silence that you make for me It's okay when there's nothing more to say to me And the peaceful quiet you create for me And the way you keep the world at bay for me The way you keep the world at bay for me The way you keep the world at bay”
(Both lyrics courtesy of www.azlyrics.com)
Needless to say after watching “Shut Up & Sing” I now consider myself a fan of these women (it’s hard not to) and I can’t say enough how great a CD Taking The Long Way is - now even more so after learning about the back story. These women have taken a lot of grief for voicing an opinion and they had every right to do so as afforded by the Constitution Of The United States. We should applaud them not crucify them. So if you get a chance watch this DVD, do it – it just might change your mind about where we are and where we’re headed as a nation – even if you don’t consider yourself a fan of The Dixie Chicks – it’s still a very interesting story.
Thanks for tuning in…Until next week….CHEERS!!
Here they are from last year’s Grammy Awards singing “Not Ready To Make Nice”:
All That I Want Words and music by Deb Talan and Steve Tannen
Out in the harbor The ships come in, it's Christmastime The kids all holler carols 'cross the water Stars that shine
All that I want, all that I want
Above the rooftops The full moon dips its golden spoon I wait on clip-clops Deer might fly Why not? I met you
All that I want, all that I want
And when the night is falling Down the sky at midnight Another year is stalling Far away a good bye, good night
All that I want., all that I want, all that I want
So small a turning The world grows older every day An ache, a yearning Soften when I hear you say
All that I want, all that I want
And when the cold wind's blowing Snow drifts through the pine trees In houses lights are glowing Likewise in your eyes that find me here With all that I want.
Out in the harbor The ships come in, it's Christmastime It's Christmastime It's Christmastime.
Courtesy of: http://www.theweepies.com
Ah….Tivo….it’s a great invention and a far leap ahead of the days whence time my mother would record “Days Of Our Lives’’ on our huge VCR (her best friend from acting school used to be on the show so she got hooked - and – this is hard to admit in such a public forum – so did I – to this day I still watch the show – maybe it’s more about Mom and less about the show – not that she can’t watch from Heaven – but you know – like I did in the summers when she came home for lunch I would watch it with her and thusly get that many more minutes to be by her side – something I’m very grateful for now). No more tapes to mess up the joint or swap out after a show, no by-products to destroy at the end of usefulness and it’s a ton easier to set up something to record. But, as Abby pointed out this morning as she explained how she’d first heard “All That I Want” from The Weepies, in this day and age when many an artist are getting noticed because of commercials, it’s easy to miss out on some of these cooler songs being used when you’re busy fast-forwarding through the advertisements.
Rightfully so – most ads are hardly worth the time spent on creating them since so many of them are LESS than creative – and frankly I don’t need to hear The Beatles (thank you Michael Jackson), Led Zeppelin, The Who or well – I think I’ve blocked out any other examples I could come with but you get the point – pushing products and promoting the very commercialism that they ‘protested’ against. But for some reason the idea of being turned on to a new artist via this venue is exciting to me. Maybe it’s because I don’t have feelings or emotions tied to these songs the way that I would if I were listening to a CD on my own time. But hearing them for the first time pushing JC Penney or say Landon Pigg (whom I was already a fan of) using a new song to promote a diamond company, makes it somehow ok in my brain. Or maybe it’s the idea of the underdog, unknown musician, getting some much deserved notice and perhaps being able to pay their rent for a few months or more because of the boost in sales from the attention they are receiving from a national campaign.
Either way it’s a cool thing - and while I’m not going to stop using the fast forward button any time soon – I will use it perhaps a little less often so I don’t miss out on becoming a new fan of a band I may not be hearing as frequently on my internet radio stations (WFUV and WMVY respectively).
SOME RANDOM THOUGHTS:
I don’t know who this chick is (Abby turned me on to her) – but she’s hilarious…check out her blog: http://mirandablog.blogspot.com/
The guy who plays Jerry Espensen on “Boston Legal”, Christian Clemenson, dresses in real life the way you would expect his character to dress on his down time - and is taller than I thought.
My twelve-year old Maine Coon Cat loves oatmeal raisin cookies.
I’m deeply fascinated by the cops and will stop in my tracks if I think there’s even a chance of them pulling someone over.
Ingrid Michaelson’s song “The Way I Am” is a little too much fun to listen to.
For some reason Abby and I keep seeing Meg Ryan around – usually driving her car.
Sunday mornings are perfect for listening to Mary Chapin Carpenter.
“Nanny McPhee” is a great movie – even for adults!
Michael Chiklis played High School football against Doug Flutie – how cool is that?!?!?
My friend, and talented musician, Luis Oliart, is playing at Ghengis Cohen on 10 May…well worth saving the date. www.myspace.com/oliartmusic
Having a day off to spend with my favourite person, my favourite cat and some home cooked food truly makes me happy and is sometimes all that I want.
You can’t go wrong with Loretta Lynn. Even though I don’t consider myself to be a country music fan I can’t ignore it’s relevance and importance. There are times, indeed, when the heartache oft referenced in their lyrics hits the nail on the head and strikes a deep chord. Maybe it’s the dust, the dirt, the gritty feeling under the nails of those who write the songs that truly allow the expression of the pain that we can all feel.
Certainly Jay Lee Webb, who wrote “Today Has Been A Day” way back in 1966, has captured how I’m feeling today and no doubt Loretta Lynn, in a way that only she can, put more heartache into the song. It’s a two way street; you have great lyrics, but you need a great artist to hit the homerun and no matter how I feel about country music as a genre (odd considering I lived in North Carolina and Tennessee as a child before moving to Connecticut), there’s no denying that Loretta Lynn hits a homerun every time she opens her mouth.
I grew up in Connecticut and North Carolina - I am a singer-songwriter currently living back in Northeast while contemplating the workings of this new life.
